Participation and recordings
Cameras are optional, and no one will be called on unexpectedly. The first 50 minutes will be recorded; open discussion will not.
A five-week live online course
The Long Way Home Reading Homer’s Odyssey
Five Tuesday evenings with Homer’s Odyssey
Interpretive lectures, close reading, historical and literary context, and discussion. Read or listen to the whole poem, or follow the course through a weekly guide to key passages. Join the conversation or simply listen; speaking and cameras are optional. No previous experience with Homer is required.
Now open for registration
Course description
Reading Homer’s Odyssey
Most of us encounter The Odyssey first in fragments: the Cyclops, the Sirens, Penelope at her loom, a man struggling to reach home. This course returns to Homer’s poem itself—to its active gods, nonlinear storytelling, divided hero, unsettled household, and difficult ending.
Read whole, the poem is stranger than its familiar reputation suggests. Odysseus survives partly by telling stories, but the poem repeatedly asks what stories conceal as well as what they reveal. Hospitality sustains human life while leaving strangers vulnerable. Recognition reunites families while exposing differences of status and power. Homecoming promises restoration but culminates in extraordinary violence.
Over five Tuesday evenings, we will travel through all twenty-four books in Emily Wilson’s translation. You may read or listen to the whole poem, or dip in and out using a weekly guide to the key passages. We will consider the poem’s narrative arc, humor, divine machinery, hospitality, identity, gender, enslavement, labor, marriage, memory, mortality, violence, and unresolved conclusion. Selected comparisons of a few passages across English translations will show how diction, register, rhythm, and apparently small verbal choices shape the poem readers encounter.
Christopher Nolan’s recent film and the discussion surrounding it will occasionally serve as points of comparison, but the course remains centered on Homer’s poem. Seeing the film is not required.
Each meeting includes a story guide, interpretive lecture and instructor-led close reading, a short break, and discussion of several central passages. No knowledge of Greek, classics, or literary criticism is required.
Each Tuesday
Lecture, close reading, and discussion
- 50 minutes · recordedStory guide, lecture, and guided close reading
- 10 minutes · not recordedBreak
- 45 minutes · not recordedParticipant close reading and discussion
- 5 minutes · not recordedClosing question
Syllabus
Five weeks through the poem
Emily Wilson’s translation will be our common text. A few selected passages from other English translations will be supplied for comparison.
Each week covers four to six books. You may focus on the key passages in the weekly guide or read the full assignment. Wilson’s unabridged audiobook runs about 13½ hours—roughly 23 minutes a day over five weeks.
- 01August 25Books 1–4Full reading: about 2½ hours
The Hero Who Is Not There
Divine action, Telemachus, inheritance, absence, and the stories told about Odysseus.
- 02September 1Books 5–8Full reading: about 2½ hours
A Stranger at the Threshold
Calypso, Nausicaa, hospitality, identity, appearance, and recognition—with a comparison of one passage across selected translations.
- 03September 8Books 9–12Full reading: about 2½ hours
Odysseus Tells His Own Story
Monsters, memory, perspective, self-invention, and the authority of the returning warrior.
- 04September 15Books 13–18Full reading: about 3½ hours
Home in Disguise
Return, concealment, Penelope’s household, hospitality, labor, enslavement, and Ithaca seen from below.
- 05September 22Books 19–24Full reading: about 3½ hours
Penelope’s Transformations
Penelope as mourner, dreamer, storyteller, strategist, and wife; the scar, bow, slaughter, marriage bed, recognition, justice, and the poem’s unsettled ending.
Common edition: Emily Wilson’s translation, W. W. Norton paperback, ISBN 978-0-393-35625-0. Print, ebook, and library copies are welcome. A free public-domain translation is also available. No physical book, additional translation, or film viewing is required.
Instructor
Carolyn Sinsky
Carolyn Sinsky received a PhD in comparative literature from Yale, where she received the Vardis & Opal Fisher Fellowship and the Prize Teaching Fellowship for excellence in teaching literature and writing. She has taught literature and writing at Yale, the Fashion Institute of Technology, the Great Books Summer Program at Stanford, and Stanford Continuing Studies.
In this course, she brings that experience to Homer’s storytelling and to the poem’s questions about identity, power, intimacy, violence, mortality, and return.
More about CarolynCourse information
Dates, participation, and policies
- Dates
- August 25; September 1, 8, 15 & 22, 2026
- Time
- 5:30–7:20 p.m. PT
7:30–9:20 p.m. CT
8:30–10:20 p.m. ET - Format
- Live online via Zoom
Five 110-minute meetings - Participation
- Join the conversation or simply listen
- Recordings
- First 50 minutes available privately through October 6
- Registration closes
- August 23 at 5:00 p.m. CT
Cancellation and refunds
Cancel in writing by 5:00 p.m. Central on August 18 for a refund less nonrefundable card-processing fees. After that date, tuition is nonrefundable, but registration may be transferred before the first meeting.
Accessibility
Automated captions will be available, cameras are optional, and course materials will be supplied in accessible digital formats.
One-to-one study
A separate private tutorial
Five weeks shaped around one central question
The private tutorial is a distinct one-to-one course, not a private viewing option or individual version of the group class. Carolyn and one participant choose a central question, then pursue it through five 90-minute conversations and an individualized path through the poem.
When does the course meet?
We meet live on Zoom for five Tuesdays—August 25 and September 1, 8, 15, and 22, 2026—from 5:30–7:20 p.m. Pacific / 7:30–9:20 p.m. Central / 8:30–10:20 p.m. Eastern.
Which translation should I use?
Emily Wilson’s translation of The Odyssey, published by W. W. Norton, will be our common edition. The recommended paperback ISBN is 978-0-393-35625-0, but print, ebook, and library copies are all welcome; no physical book is required. If purchasing or borrowing Wilson’s edition would be a barrier, you may use Samuel Butler’s public-domain prose translation, available free through Project Gutenberg. Weekly guides will identify the key passages, and a few selected excerpts from other translations will be supplied when a comparison is useful.
How much reading is involved?
You may follow the course through the key passages in each weekly guide, or read or listen to the whole poem. Emily Wilson’s unabridged audiobook runs about 13½ hours—roughly 23 minutes a day across the five weeks. The weekly syllabus gives an estimate for the full assignment, but reading every page is not required. Please read or listen to the key passages from Books 1–4 before the first meeting if possible.
Do I need experience with Homer or literary analysis?
No. The course is designed for attentive general readers. No knowledge of Greek, classics, or literary criticism is expected. Necessary literary, historical, and cultural context will be introduced in class.
Do I need to have seen Christopher Nolan’s film?
No. The recent film and the discussion surrounding it will serve as occasional points of comparison, but the course remains centered on Homer’s poem. No film viewing is required.
How may I participate? Do I need to use my camera?
Join the conversation or simply listen. Speaking and cameras are optional, and no one will be called on unexpectedly.
Will sessions be recorded?
The first 50 minutes of each meeting—narrative orientation, interpretive lecture, and instructor-led close reading—will be recorded and shared privately with the class through October 6. The break and open discussion will not be recorded, allowing participants to speak more freely. Participants may not record, transcribe, screenshot, or redistribute class discussion or course recordings.
What happens if I miss a session?
You will receive the available lecture recording and session guide. These materials cannot reproduce the live close-reading discussion, but one absence should not prevent you from continuing. There are no makeup sessions or individual recaps.
How does payment work?
Tuition is $350. You may pay in full at enrollment or in two payments of $175: the first at enrollment and the second due September 8, before the third meeting. Choosing the installment option enrolls you in the complete course and commits you to the full tuition. If the second payment is delayed, Carolyn will contact you directly. Registration closes August 23 at 5:00 p.m. Central.
What if I need to cancel?
Cancellations received in writing by 5:00 p.m. Central on August 18 will be refunded less nonrefundable card-processing fees. After August 18, tuition is nonrefundable, but registration may be transferred to another participant before the first meeting.
Is this a Stanford course?
No. This course is independently offered by Carolyn Sinsky and is not affiliated with, sponsored by, or administered through Stanford Continuing Studies.
What is the private tutorial?
The private tutorial is a separate five-week, one-to-one course built around one central question chosen by Carolyn and the participant. It is not a private viewing option, recording package, or individual version of the group course. Read about the private tutorial.
Are reduced-tuition places available?
If you would like to take the course and tuition is a barrier, please email Carolyn. A small number of reduced-tuition places may be available, and no detailed explanation is required.